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Strong Opinions, by Vladimir Nabokov
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From the Inside Flap
In this collection of interviews, articles, and editorials, Nabokov ranges over his life, art, education, politics, literature, movies, and modern times, among other subjects. Strong Opinions offers his trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita.
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About the Author
Vladimir Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of anti-Semitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik Revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins. The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next 18 years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym "Sirin" and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925, he married Vera Slonim, with whom he had one child, a son, Dmitri. Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. His most notable works include Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.
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Product details
Paperback: 368 pages
Publisher: Vintage; Reissue edition (March 17, 1990)
Language: English
ISBN-10: 9780679726098
ISBN-13: 978-0679726098
ASIN: 0679726098
Product Dimensions:
5.2 x 0.8 x 8 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#817,877 in Books (See Top 100 in Books)
The book includes interviews, literary essays and five short articles on Lepidoptera. Since the book covers the main themes in Nabokov's life on one hand and is carefully compiled by Nabokov himself on the other, it presents a kind of self-portrait. Its author was a remarkably relentless rewriter, who noted that "[he] rewrote several times every word that [he] has ever published" and that even his recounting of the last night's dream to his wife was "but the first draft", and so this book is the result of no less a meticulous labor than his novels are. It presents a carefully drafted portrait, at times blatantly revealing, at times guardedly mystifying, but always elegantly or freshly phrased.In his "Lectures on Literature", Nabokov mentions a character in "Bleak House", a man appearing only for a sentence or two just to help carry in from the street an old man in his chair. He gets a tuppence for his labors, tosses it in the air, catches it over-handed, and leaves. Nabokov points out that this one word, "over-handed", makes all the difference: it is a drop of color which renders even an incidental character alive. It seems that Nabokov's own public persona is similarly brought to life with the stories of borrowing a television set (which otherwise he did not watch) to see the first man landing on the Moon, or of having driven a car twice in his life (both times disastrously).Some of the essays presented in the book are real gems. The 4-page piece "On Adaptation" is a beautiful critique of Robert Lowell's unfortunate rendition in English of Mandelshtam's famous poem. The highly amusing penultimate sentence, where Nabokov applies to one of Lowell's poems the techniques Lowell used in his version of Mandelshtam's, makes the most expressive argument for literal translation and for preserving the writer's intent. In a way, this one sentence makes a better case for Nabokov's verbatim translation of "Eugene Onegin" than the much longer if very engaging article answering Wilson's critique of Nabokov's translation of Pushkin's masterpiece.Another essay, "Inspiration", provides a rare glimpse into the writer's sanctum sanctorum: a detailed description of a writer's interaction with his muse. Nabokov presents here several examples of what he considers inspired writing and expresses hope that students will learn to recognize it in the books they read. The students of Nabokov will certainly recognize inspiration in his own writing, revealing itself in elegant phrasing and fierce independence of thought and making his answers even to the most mundane questions worth reading.
Living in a time where being genuinely disdainful of anything is somehow frowned upon, "Strong Opinions" is, very much, a needed exhalation. I found the interviews to be beguiling and delightful--a compendium of Nabokov's inclinations and literary acumen surpassed only by his autobiography "Speak, Memory", as well as his literary critiques.For Nabokov (a Russian ex-patriot and a self-proclaimed American novelist, having first hand experience with the ironclad censorship of at-the-time Russia) candid dissent was a luxury to be exercised, not cast aside. And so he delighted in American frankness and was nothing but during interviews, for why shouldn't he be? These were parlays in which his opinions were being openly solicited; not your opinions, nor mine, but his. And how bewitching these interviews are because of that!In some of the reviews concerning this book, so much useless emphasis has been placed on Nabokov's disenchantment of the world's most regarded writers and novels (in this text); however shocking, is authentic, but there's more meat to this book than their blind grievances imply: Fascinating notes on the book and film version of "Lolita". Relenting to articulated gems within books he cared little for. Reminiscence of his youth. His love of Pushkin, butterflies, his family, lecturing, Kubrick, the USA, transiency and so on.Nothing contrived. Everything, quite real.If anyone holds to the notions that their favored author should reflect their personal beliefs tit for tat--really, imbeciles of the most vapid sort (scroll down past some reviews for prime examples)! You will never agree completely with Vladamir Nabokov, but that was never his intent! This man was always a "party of one", his thoughts were his own and he could have cared less whether or not people acquiesced to him. He was faithful to his family, his art and his opinion. For him (as with ourselves) that's all that matters.
A compendium of all sorts of interviews, reviews, and miscellaneous non-fiction.Read if you love VN.
The title says it all. The last section of the book, some twenty pages consists of primarily lepidoptera papers which may or may not interest fiction devotees of N's fiction. His generous use of the epithet "philistine" may rouse some prejudice against N.'s apparently pharisaical and insolent notions on literature, psychology, politics and such, but he always is sure to qualify those strong opinions as solely his own; in large, he abstains from truth claims that would make his book little more than the exegesis of a Pharisee. Besides, one doesn't read a book of opinions for the author's Truth (with a "T!"), unless that is, you are a Kurt Vonnegut follower. Great insights, humor and opinions from a great author. Minus a star or two for a certain degree of repetitiveness.
One of the most useful books I've ever read.
Nabokov at his best. Have to live reading his answers to the interviewer. Really brings some light to his thinking, creativity, and motivation.
A good reading for everyone!
As always, Nabokov entrancers!
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